yesterday I got two packs. in one of the latest CD Django Bates - one of my favorite musicians -, the other the "Dictionary of Jazz" by Carles and Comolli clergeat in the new translation / edition of Mondadori.
django disc is an absolute masterpiece: rich, rich, even dispersion: with the ideas and found that there are a musician in this work we normal kind of output. you can order it, as I did, directly from the site of the brilliant English artist, who says: why give money to a seller when the musician that money would know much better how to spend it? can not blame him. with little more than twenty euro pass the fear.
goes without saying that while listening to the CD of bates, giggling like a Boeotian, I take the dictionary of jazz and seeking the entry for British jazz. no. I look better (with the alphabetical order I have always had some problems): nothing. no.
is, of course, play lazy judge a dictionary on absence, on what there is: we should understand what is and how it was handled. the fact is that, at first blush, what catches the eye is a void as big as a house, if only because, in a dictionary of jazz filled by Europeans, it lacks one of the successful jazz par, the most prestigious award Jazz of the old continent.
work can be found on the rece Jazzit September. which means that they talk about it.
in truth, also lack the information about Brad Mehldau. urca.
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